http://www.jazzstudiesonline.org/files/Jazz%20as%20Decal.pdf
Fair warning: this is an exercise in false dichotomies – jazz and classical music in the twentieth century were often feeding off similar roots. But my key contention is that even now, long after Gunther Schuller’s ‘Third Stream’, the phenomenon that is the appeal of ‘World Music’, and the fusion of everything that isn’t bolted down (to mix a metaphor), we still have a sense of what is jazz and what is classical music.
It could be borrowings of melodic, harmonic or rhythmic qualities, or it could be the tendency of jazz musicians to favour more complex harmonies or to otherwise show their allegiance to the avant garde, which seems to me more of a highbrow borrowing from the classical music world than an indigenous jazz trait.
So, the following list of tracks represent a slightly selective history of the confluence of jazz tracks with classical elements and classical tracks with a jazz influence.
I want this list to be an organic thing. If you can suggest any tracks I’ve neglected, please leave a comment.
Late 19th & Early 20th Century
| Year | The Jazz Side Of Things | The Classical Side Of Things |
|---|---|---|
| 1869 | Hungarian Dance No. 5 in G minor (Brahms, 1869) - Yehudi Menuhin, p. Adolph Baller - 1947 | |
| 1902 | On Emancipation Day (from In Dahomey, Will Marion Cook & Paul Lawrence Dunbar) - Len Spencer, banjo Vess L. Ossman - 1902 | |
| 1903 | I'm A Jonah Man (from In Dahomey, Will Marion Cook & Paul Lawrence Dunbar) - Arthur Collins - 1903 | |
| 1904 | Smoky Mokes (Cakewalk) - Peerless Orchestra - 1904 | Allegro Marcato (Three Pieces) (Frank Bridge, 1904) - Phantasie Quartet - 1994 |
| 1905 | Bethena (Concert Waltz) (Scott Joplin, 1905) - Joshua Rifkin - 1970 | |
| 1906 | Central Park in the Dark (Ives, 1906) - Vladimir Cherniavsky & the Polymusic Chamber Orchestra - 1951 | |
| 1908 | Golliwogg’s Cakewalk (Debussy, 1908) - Sergei Rachmaninov - 1921 | |
| 1909 | In Dahomey (Cakewalk Smasher) (Percy Grainger, 1909) - Marc-Andre Hamelin - 1996 | |
| 1910 | Dere was a man (from Treemonisha, Scott Joplin, 1910) - Gunther Schuller - 1976 | |
| 1911 | Polka de W.R. for piano in A flat major (Behr arr. Rachmaninov, 1911) - Sergei Rachmaninov - 1929 | |
| 1914 | Swing Along (Will Marion Cook) - The Afro-American Folk Singers - 1914 | |
| Castle House Rag (James Reese Europe) - Europe’s Society Orchestra - 1914 | ||
| 1915 | Chinese Blues (1915) - Sousa's Band - 1916 | |
| 1916 | That Funny Jas Band from Dixieland (Edison, first recording) - Collins and Harlan - 1916 | |
| 1917 | That Funny Jas Band from Dixieland (Victor, second recording) - Collins and Harlan - 1917 | Rag-time du paquebot (edited) (from Parade, Erik Satie, 1917) - p. Georges Auric & Frances Poulenc - 1937 |
| Livery Stable Blues - The Original Dixieland Jass Band - 1917 | ||
| 1918 | Rag-Time (Stravinsky, 1918) - Marcelle Meyer - 1925 | |
| 1919 | Rose Room - Art Hickman’s Orchestra - 1919 | Piano Rag Music (Stravinsky, 1919) - Stravinsky - 1938 |
Download Part 1: 1800-1909 here.
Download Part 2: 1910-1919 here.
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