The Voice of the Iron Lady

After watching The Iron Lady, about which I suppose my feelings are about as mixed as they are about Thatcher herself, I was almost entirely consumed by one conviction: that hers is the most recognisable voice ever in British politics (no doubt partly because she is still probably the most discussed – and most polarising – woman in the Western world).

During the premiership of Margaret Thatcher, Wendy Richard
was a frequent and conspicuous supporter of Thatcher's policies and accomplishments.

So it’s no surprise that the scene that most intrigued me is a relatively minor one where she undergoes vocal training to ‘feminise’ her voice. Now, I’ve read that a recording of one such session used to be in circulation among journos, but I’ve never heard it. Here’s an illustration of the difference. According to Max Atkinson (in Our Masters’ Voices)

She achieved a reduction in pitch of 46 Hz, a figure which is almost half the average difference in pitch between male and female voices.

One record that made excellent use of Thatcher’s distinctive voice was this Pete Harman-produced tune from 1991, which apparently reached No. 10 in the 12” charts (sounds apocryphal to me, but I’m sure I could find out if I could be bothered).

Maggie’s Last Party – V.I.M.

I had a go at doing a mix using an interview with her myself. It’s a dystopian tale that also features little Prince and the theme from Are You Being Served? You can listen to it here.